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X-WR-CALDESC:Events for Narloch Piano Studio
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180307T200000
DTEND;TZID=UTC:20180307T210000
DTSTAMP:20260409T084204
CREATED:20180213T165314Z
LAST-MODIFIED:20180213T165314Z
UID:950-1520452800-1520456400@www.narlochpiano.com
SUMMARY:Binary Canary
DESCRIPTION:Binary Canary\nKyle Hutchins\, saxophone & Ted Moore\, laptop \nBinary Canary is a collaborative improvisation ensemble featuring laptopist Ted Moore and saxophonist Kyle Hutchins. Their work together since 2013 has included solo and chamber music\, free and structured improvisations\, and interactive multimedia. Their 2015 album ‘click/blow’ was reviewed as “a full on noise-jazz symphony” (Raised by Gypsies) and a “display [of] individual virtuosity and group musicianship… well worth the listen” (Signals for Images). They have been featured at conferences\, festivals\, and on series such as the Society for Electro-Acoustic Music in the United States (SEAMUS)\, New York City Electronic Music Festival (NYCEMF)\, Electroacoustic Barndance (EABD)\, North American Saxophone Alliance (NASA)\, Music Now at the University of North Texas\, New Horizons Music Festival (NHMF)\, Association for Technology in Music Instruction (ATMI)\, Ars Electroacoustica\, The New Ruckus\, Patrick’s Cabaret\, Punk-Ass Classical\, Skewed Visions\, and as guest artists at universities across the country. \n— \nTed Moore is a composer\, improviser\, intermedia artist\, and educator based in Chicago. His work focuses on fusing the sonic\, visual\, physical\, and acoustic aspects of performance and sound\, often through the integration of technology. Ted’s work has been reviewed as “an impressive achievement both artistically and technically” (Jay Gabler\, VitaMN)\, “wonderfully creepy” (Matthew Everett\, TC Daily Planet)\, and “epic” (Rob Hubbard\, Pioneer Press). Ted’s work has been premiered by the International Contemporary Ensemble\, Spektral Quartet\, The Dream Songs Project\, Yarn/Wire\, Splinter Reeds\, Quince Vocal Ensemble\, AVIDduo\, and others\, and has been performed across the country including at The Walker Art Center (Minneapolis)\, Spectrum (NYC)\, Root Signals Electronic Music Festival (Statesboro\, GA)\, and the Electroacoustic Barn Dance (Fredericksburg\, VA)\, among others. \nTed also frequently performs solo on electronics using his laptop\, modular synthesizer systems\, resonant physical objects\, lighting equipment\, and video projection. He has been featured as an installation artist by the Northern Spark Festival (Minneapolis)\, Studio 300 Festival of Digital Art and Music (Lexington\, KY)\, St. Paul Public Library\, TC Make (Minneapolis). As an improviser\, Ted is one half of Binary Canary\, a woodwinds-laptop improvisation duo alongside saxophonist Kyle Hutchins. In collaboration with Scott Miller\, he curated and performed in the free improvisation series Ars Electroacoustica in Minneapolis. As a theater artist\, Ted has worked with many independent companies\, notably with Skewed Visions and Savage Umbrella. He has taught in a variety of capacities\, including at The Walden School’s Young Musicians Program and Creative Musicians Retreat (Dublin\, NH)\, MacPhail Center for Music (Minneapolis)\, Slam Academy (Minneapolis)\, and McNally Smith College of Music (St. Paul). \nCurrently Ted is pursuing a PhD in Music Composition at the University of Chicago. \n— \nPraised for his “formidable technique” and “enviable uniformity of tone” (The Saxophone Symposium) and described as a “skilled improviser\, no doubt about it” (I Care If You Listen)\, Jeffery Kyle Hutchins is a concert saxophonist\, chamber musician\, improviser\, pedagogue\, and performance artist who focuses on the creation and promotion of contemporary music and interdisciplinary media. His work emphasizes close collaboration with composers and artists to create adventurous programming\, often incorporating the body\, the voice\, the instrument\, technology\, and space. He has performed concerts in Asia\, Europe\, and North America\, and has participated in the creation of more than 100 new works. \nHis performances have been broadcast on Fresh Ink hosted by Neva Pilgrim on WCNY-FM (New York) and Nova hosted by Bernard Clarke on Raidió Teilifís Éireann lyric fm (Ireland). He performs regularly on festivals\, conferences\, and series for contemporary\, experimental\, and electroacoustic music\, including Internationales Musikinstitut Darmstadt (IMD)\, the New York City Electronic Music Festival (NYCEMF)\, the Society for Electroacoustic Music in the United States (SEAMUS)\, the New Music Gathering\, the International Computer Music Conference (ICMC)\, the World Saxophone Congress\, the North American Saxophone Alliance Conference (NASA)\, the US Navy Band International Saxophone Symposium\, the International Workshop for Musical Metacreation (MuMe) at the International Conference on Computational Creativity (ICCC)\, the Electroacoustic Barndance (EABD)\, the New Horizons Music Festival (NHMF)\, MNmade\, the New Ruckus\, Old Wood New Sounds\, Punk-Ass Classical\, and Zeitgeist New Music Cabaret. Hutchins has recorded for numerous record labels including Avid Sound Records\, Emeritus Records\, GIA Publications\, Farpoint Recordings\, and Klavier Records\, and has won competition prizes and grants from DOWNBEAT\, New Music USA\, the Metropolitan Regional Arts Council (MRAC)\, Music Teacher’s National Association (MTNA)\, and the Mu Phi Epsilon Foundation\, among others. \nIn 2015\, Hutchins received the Doctor of Music degree from the University of Minnesota\, where he studied with renowned saxophonist Eugene Rousseau. There he was a recipient of the prestigious Berneking Fellowship and served as Instructor of Saxophone. He received degrees in Music Education and Saxophone Performance from the University of North Texas\, where he studied with Eric Nestler. \nJeffery Kyle Hutchins is a Yamaha Performing Artist\, E. Rousseau Mouthpiece Artist\, and Légère Artist. ​
URL:https://www.narlochpiano.com/event/binary-canary/
LOCATION:Narloch Piano Studio\, 4636 N Francisco Ave\, Chicago\, IL\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180310T193000
DTEND;TZID=UTC:20180310T203000
DTSTAMP:20260409T084204
CREATED:20180206T074849Z
LAST-MODIFIED:20180206T074849Z
UID:942-1520710200-1520713800@www.narlochpiano.com
SUMMARY:Ment Consort
DESCRIPTION:Ment Consort\nPresents\nA Baroque Menagerie\nThe Ment Consort is an early music quartet formed in Chicago in 2015 with the intention\nof presenting the experimental and revolutionary music of the 17th\nand 18th centuries in a way that sounds new and fresh. Through historical performances on period instruments\, Ment considers how baroque composers stretched the boundaries of the instruments\, techniques\, and\nmusical genres of their time.\nThe core members of the group consist of Kiyoe Matsuura on baroque violin\, Morgan\nLittle on baroque cello\, Jason Moy on harpsichord\, and Mary Arendt\, soprano voice. The Ment\nConsort has collaborated with esteemed harpsichordists Alexander Weimann and Ketil Haugsand\nand has presented full length programs of music from France\, Italy\, and Germany. The Ment\nConsort will perform in Rochester this June as part of the Pegasus Rising Early Music Series. As\nthe members of the group are no longer all locally based\, we are looking forward to the unique\nopportunity to reunite this winter and present our music to Chicago area audiences once again.\nProgram\n“A Baroque Menagerie”\nProgram Duration: approximately 45 minutes\nThe MENT Consort explores the phenomenon of animal sounds in music from the\nBaroque. Each piece on this program mimics the sounds\, behaviors\, or personalities of specific\nanimals\, from birds to amphibians to mammals\, using creative and innovative compositional\ntechniques of that time period. We hope that many of the pieces will be new or unfamiliar to the\naverage audience member.\nJohann Heinrich Schmelzer (1623-1680)\nViolin Sonata in A Minor\, “Cu-Cu”\nGeorge Frideric Handel (1685-1759)\n“Qual Farfalletta” from Partenope\, HWV 27\n“Oh! That I On Wings Could Rise” from Theodora\, HWV 68\nMaurizio Cazzati (1616-1678)\n“La Pellicana\,” op. 55\nPietro Torri (1650-1737)\n“Son Rosignolo”\nGeorg Philipp Telemann (1681-1767)\n“Seele\, lerne dich erkennen”\nHeinrich Ignaz Franz Biber (1644-1704)\nSonata Representativa in A Major\nAllegro\nNachtigal (Nightingale)\nCuCu (Cuckoo)\nFresch (Frog)\nDie Henn & Der Hann (Cock & Hen)\nDie Wachtel (Quail)\nDie Katz (Cat)\nMusqetir Mars (Musketeer’s March)\nAllemande
URL:https://www.narlochpiano.com/event/ment-consort/
LOCATION:Narloch Piano Studio\, 4636 N Francisco Ave\, Chicago\, IL\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180318T110000
DTEND;TZID=UTC:20180318T120000
DTSTAMP:20260409T084204
CREATED:20180222T193644Z
LAST-MODIFIED:20180222T193644Z
UID:953-1521370800-1521374400@www.narlochpiano.com
SUMMARY:Cello student recital
DESCRIPTION:Students of cellist Veronica Nettles Kolegas perform.
URL:https://www.narlochpiano.com/event/cello-student-recital/
LOCATION:Narloch Piano Studio\, 4636 N Francisco Ave\, Chicago\, IL\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180324T193000
DTEND;TZID=UTC:20180324T203000
DTSTAMP:20260409T084204
CREATED:20180312T004631Z
LAST-MODIFIED:20180312T004631Z
UID:956-1521919800-1521923400@www.narlochpiano.com
SUMMARY:Esther Nyberg
DESCRIPTION:Esther Nyberg performs a solo piano recital of Muczynski\, Beethoven\, and Granados. \nDream Cycle\, Op. 44 – Robert Muczynski (1929-2010)\nI. Allegro moderato\nII. Allegro risoluto\nIII. Andante maestoso\nIV. Allegro \nPiano Sonata No. 21 in C Major\, Op. 53 – Ludwig van Beethoven (1770-1827)\nI. Allegro con brio\nII. Introduzione: Adagio molto\nIII. Rondo. Allegretto moderato — Prestissimo \nSeis Piezas Sobre Cantos Populares Españoles – Enrique Granados (1867-1916)\nPreludio\nI. Añoranza\nII. Ecos de la parranda\nIII. Vascongada\nIV. Marcha oriental\nV. Zambra\nVI. Zapateado
URL:https://www.narlochpiano.com/event/esther-nyberg/
LOCATION:Narloch Piano Studio\, 4636 N Francisco Ave\, Chicago\, IL\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180329T200000
DTEND;TZID=UTC:20180329T210000
DTSTAMP:20260409T084204
CREATED:20180312T004748Z
LAST-MODIFIED:20180312T004748Z
UID:957-1522353600-1522357200@www.narlochpiano.com
SUMMARY:Yoshiko Arahata & Josh Graham
DESCRIPTION:Yoshiko Arahata\, piano\nJosh Graham\, percussion \nProgram:\n“Red Arc/Blue Veil” – John Luther Adams\n“C” – Hannah Lash\n“New work for vibes and piano” – Sean Calhoun *World premiere!*\nSolo de Vibraphone from “Livre de Claviers” – Philippe Manoury\nSolo work for Piano – Yoshiko Arahata
URL:https://www.narlochpiano.com/event/yoshiko-arahata-josh-graham/
LOCATION:Narloch Piano Studio\, 4636 N Francisco Ave\, Chicago\, IL\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180330T200000
DTEND;TZID=UTC:20180330T220000
DTSTAMP:20260409T084204
CREATED:20180206T075602Z
LAST-MODIFIED:20180308T054151Z
UID:944-1522440000-1522447200@www.narlochpiano.com
SUMMARY:Riley Nicholson
DESCRIPTION:D. Riley Nicholson: Shimmer for piano\, electronics\, and projections\nTed Moore: feedback ix for electronics and objects \nAbout Shimmer:\nShimmer is a 50 minute musical work by composer-pianist D. Riley Nicholson for piano and electronics. Nicholson worked closely with sound designer Zach Miley to record\, sculpt\, and create an interface suitable for live electro-acoustic performance. Shimmer is performed by Nicholson alongside projected visuals created specifically for the production by artist Robby Gilson. \nTo shimmer is to reflect a wavering or distorted visual image\, to tremolo a fitful light. To shimmer is to flicker and allow the complexity of a beautiful light to evolve\, to open up the possibility of an object viewed from multiple perspectives simultaneously. From a different angle\, Nicholson explores Shimmer as a highly personal verb: We are remembered by how we reflected the light around us. We didn’t create our light\, but we do choose to spread and magnify it in a myriad of directions. Shimmer reflects these ideas as a repetitive tremor of shaking\, mesmerizing\, aural glare. \nAbout feedback ix:\nTed Moore will present his work\, feedback ix which explores physical materials\, resonant properties of space\, and the system of air molecules that is often overlooked when one hears music or sound. By amplifying large PVC tubes harmonic and melodic contours emerge from the physics of sound. Moore explores resonant properties molded in expressive ways\, often through the use of digital manipulation\, presenting both harmonic and inharmonic spectra. \nBios:\nD. Riley Nicholson has composed for a wide range of ensembles and performance venues including music for contemporary ballet\, theater\, orchestral music\, wind band\, chamber music\, vocal music\, and electronic music. Riley feels comfortable writing for electric guitar one day and string orchestra the next; his music can be described as metaphorically rich\, innovative\, and modern\, but never inaccessible or overly esoteric.\nFascinated and committed to working with artists outside of music as well as within\, collaborations include original music for Hot Air Music Festival\, Post:Ballet\, Switchboard Music\, Ballet Memphis’s Cecily Khuner\, Three Penny Theater\, Cello Street Quartet\, Amaranth Quartet\, SFCM New Music ensemble\, Balmoral Chamber Orchestra\, Ensemble Roar\, San Francisco Conservatory of Music Percussion Ensemble\, University of Memphis Percussion Ensemble and many other talented artists and organizations.\nRiley was the recipient of the Horizons Foundation grant in support of his work One\, for large string orchestra\, which headlined Hot Air Music Festival on March 6th\, 2016\, and received another Horizons grant in support of his Shimmer production. His music has been featured on I Care if You Listen TV and will be featured on Not Art Records 2017 Mixtape.\nRiley has a M.M. in Composition from the San Francisco Conservatory of Music\, a B.M. in percussion performance\, and a B.A. in psychology from the University of Memphis. \nhttps://www.rileynicholson.com/ \nTed Moore is a composer\, improviser\, intermedia artist\, and educator based in Chicago. His work focuses on fusing the sonic\, visual\, physical\, and acoustic aspects of performance and sound\, often through the integration of technology. Ted’s work has been reviewed as “an impressive achievement both artistically and technically” (Jay Gabler\, VitaMN)\, “wonderfully creepy” (Matthew Everett\, TC Daily Planet)\, and “epic” (Rob Hubbard\, Pioneer Press). Ted’s work has been premiered by the International Contemporary Ensemble\, Spektral Quartet\, The Dream Songs Project\, Yarn/Wire\, Splinter Reeds\, Quince Vocal Ensemble\, AVIDduo\, and others\, and has been performed across the country including at The Walker Art Center (Minneapolis)\, Spectrum (NYC)\, Root Signals Electronic Music Festival (Statesboro\, GA)\, and the Electroacoustic Barn Dance (Fredericksburg\, VA)\, among others.\nTed also frequently performs solo on electronics using his laptop\, modular synthesizer systems\, resonant physical objects\, lighting equipment\, and video projection. He has been featured as an installation artist by the Northern Spark Festival (Minneapolis)\, Studio 300 Festival of Digital Art and Music (Lexington\, KY)\, St. Paul Public Library\, TC Make (Minneapolis). As an improviser\, Ted is one half of Binary Canary\, a woodwinds-laptop improvisation duo alongside saxophonist Kyle Hutchins. As a theater artist\, Ted has worked with many independent companies\, notably with Skewed Visions and Savage Umbrella. \nhttp://www.tedmooremusic.com/
URL:https://www.narlochpiano.com/event/riley-nicholson/
LOCATION:Narloch Piano Studio\, 4636 N Francisco Ave\, Chicago\, IL\, United States
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